Retrospect B&W
by Keith Haring
Year: 1989
Medium: Screenprint
Size: 46 x 82 in (116.84 x 208.28 cm)
Signed
Edition: 75
Striking in scale, Keith Haring’s Retrospect B&W (1989) is a screenprint measuring 46 × 82 inches (116.84 × 208.28 cm), from an edition of 75 and signed by the artist. Created during Haring’s late-1980s period, its monochromatic visual language distills his energetic vocabulary into a commanding composition. Its large format, limited edition, and signed status make it a compelling acquisition for collectors of Pop and contemporary art.
First appearing in 1989, Retrospect B&W is a monumental screenprint that brings 24 Haring images together in a six-by-four grid. Radiant babies, barking dogs, angels, dolphins, dancing figures, and interlocking bodies form a visual summary of his instantly recognizable language. The monochrome palette strips away color and makes line, rhythm, and movement the focus.
There is no documented street-graffiti version of this exact composition. Instead, Retrospect B&W transforms the spirit of Haring’s subway drawings and Pop Shop imagery into a major studio edition. Its themes of connection, vitality, peace, and human-animal harmony reflect Haring’s belief that art could cross barriers between high and popular culture.
For collectors, rarity is exceptional: the signed edition is only 10, making it one of the most exclusive Haring prints. Its scale, scarcity, and survey-like composition give it strong market importance. The work has also achieved major auction recognition, including a $293,000 Phillips result.
What makes it especially compelling is its role as a visual summation of Haring’s career. Created during his final years, it connects directly to Pop Shop I–VI and Retrospect (Colors). For serious collectors, Retrospect B&W offers rarity, historical depth, and an unusually complete portrait of Haring’s artistic vocabulary.
More Keith Haring Works to Explore
Retrospect B&W
by Keith Haring
Year: 1989
Medium: Screenprint
Size: 46 x 82 in (116.84 x 208.28 cm)
Signed
Striking in scale, Keith Haring’s Retrospect B&W (1989) is a screenprint measuring 46 × 82 inches (116.84 × 208.28 cm), from an edition of 75 and signed by the artist. Created during Haring’s late-1980s period, its monochromatic visual language distills his energetic vocabulary into a commanding composition. Its large format, limited edition, and signed status make it a compelling acquisition for collectors of Pop and contemporary art.
First appearing in 1989, Retrospect B&W is a monumental screenprint that brings 24 Haring images together in a six-by-four grid. Radiant babies, barking dogs, angels, dolphins, dancing figures, and interlocking bodies form a visual summary of his instantly recognizable language. The monochrome palette strips away color and makes line, rhythm, and movement the focus.
There is no documented street-graffiti version of this exact composition. Instead, Retrospect B&W transforms the spirit of Haring’s subway drawings and Pop Shop imagery into a major studio edition. Its themes of connection, vitality, peace, and human-animal harmony reflect Haring’s belief that art could cross barriers between high and popular culture.
For collectors, rarity is exceptional: the signed edition is only 10, making it one of the most exclusive Haring prints. Its scale, scarcity, and survey-like composition give it strong market importance. The work has also achieved major auction recognition, including a $293,000 Phillips result.
What makes it especially compelling is its role as a visual summation of Haring’s career. Created during his final years, it connects directly to Pop Shop I–VI and Retrospect (Colors). For serious collectors, Retrospect B&W offers rarity, historical depth, and an unusually complete portrait of Haring’s artistic vocabulary.