Retrospect
by Keith Haring
Year: 1989
Medium: Screenprint
Size: 46 x 82 in (116.84 x 208.28 cm)
Edition: 75
A commanding late-career work, Keith Haring’s Retrospect (1989) is a screenprint spanning 46 × 82 inches (116.84 × 208.28 cm), issued in a limited edition of 75. Its expansive format and dynamic visual vocabulary reflect Haring’s influential role in the 1980s New York art scene, where Pop, street culture, and fine art converged. Scarcity, scale, and cultural significance make this a notable collector’s opportunity.
First published in 1989 as a large-format screenprint, Retrospect brings 24 Haring images into a single six-by-four grid. Radiant babies, barking dogs, angels, dolphins, dancing figures, and intertwined bodies create a visual map of his most enduring symbols. The work reads as both celebration and summation, reflecting Haring’s late-career focus on legacy, urgency, and human connection.
There is no documented street-graffiti version of this exact composition. Instead, Haring translates the energy of his subway drawings and public imagery into a monumental studio print. Created after his 1988 HIV diagnosis, it carries added weight as Haring worked with increasing urgency while using art to promote awareness, peace, and social engagement.
For collectors, Retrospect is especially compelling for its scale, scarcity, and historical importance. The signed edition comprises only 75 prints plus seven artist’s proofs, making it considerably rarer than many Haring editions. Christie’s records confirm strong institutional and auction recognition.
The work is a powerful career statement: a visual archive of Haring’s language, closely related to Pop Shop I–VI, Pop Shop Quad, and Retrospect (Black and White). For collectors seeking a major Keith Haring print with exceptional narrative depth, Retrospect offers rarity, recognition, and lasting market appeal.
More Keith Haring Works to Explore
Retrospect
by Keith Haring
Year: 1989
Medium: Screenprint
Size: 46 x 82 in (116.84 x 208.28 cm)
Edition: 75
A commanding late-career work, Keith Haring’s Retrospect (1989) is a screenprint spanning 46 × 82 inches (116.84 × 208.28 cm), issued in a limited edition of 75. Its expansive format and dynamic visual vocabulary reflect Haring’s influential role in the 1980s New York art scene, where Pop, street culture, and fine art converged. Scarcity, scale, and cultural significance make this a notable collector’s opportunity.
First published in 1989 as a large-format screenprint, Retrospect brings 24 Haring images into a single six-by-four grid. Radiant babies, barking dogs, angels, dolphins, dancing figures, and intertwined bodies create a visual map of his most enduring symbols. The work reads as both celebration and summation, reflecting Haring’s late-career focus on legacy, urgency, and human connection.
There is no documented street-graffiti version of this exact composition. Instead, Haring translates the energy of his subway drawings and public imagery into a monumental studio print. Created after his 1988 HIV diagnosis, it carries added weight as Haring worked with increasing urgency while using art to promote awareness, peace, and social engagement.
For collectors, Retrospect is especially compelling for its scale, scarcity, and historical importance. The signed edition comprises only 75 prints plus seven artist’s proofs, making it considerably rarer than many Haring editions. Christie’s records confirm strong institutional and auction recognition.
The work is a powerful career statement: a visual archive of Haring’s language, closely related to Pop Shop I–VI, Pop Shop Quad, and Retrospect (Black and White). For collectors seeking a major Keith Haring print with exceptional narrative depth, Retrospect offers rarity, recognition, and lasting market appeal.