Pop Shop Iv (4)
by Keith Haring
Year:
A refined example of Keith Haring’s celebrated Pop Shop series, 4 Pop Shop IV (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), produced in an edition of 200. Its bold graphic language reflects Haring’s pioneering blend of street culture, popular imagery, and fine art. The work’s period significance, limited edition, and distinctive visual identity make it an appealing acquisition for discerning collectors.
First issued in 1989 as Plate 4 of Keith Haring’s Pop Shop IV portfolio, this bold screenprint features two barking dogs facing each other against a vivid yellow field. The dog was one of Haring’s defining symbols, often linked to sound, movement, authority, and public expression. Here, six energetic lines between the figures turn a simple bark into a visual exchange—playful, immediate, and unmistakably Haring.
There is no documented street-graffiti version of this exact composition. Its visual DNA, however, comes directly from Haring’s subway drawings and public art practice. The Pop Shop concept extended that accessible language into editions and products, challenging the divide between fine art and popular culture.
For collectors, the work offers strong scarcity and market appeal: the edition was limited to 200, with additional artist’s proofs. A 2026 Sotheby’s result reached $48,640, while a 2024 Heffel sale achieved C$46,250, confirming sustained demand for this plate.
This print is an excellent example of Haring at his most direct. Its barking dogs connect to his wider animal imagery and the Icons series, where the barking dog became a standalone motif. For collectors seeking an instantly recognizable Keith Haring work with strong visual impact and proven market traction, Pop Shop IV (Plate 4) is a compelling acquisition.
More Keith Haring Works to Explore
Pop Shop Iv (4)
by Keith Haring
Year:
A refined example of Keith Haring’s celebrated Pop Shop series, 4 Pop Shop IV (1989) is a silkscreen measuring 13 × 16 inches (33.02 × 40.64 cm), produced in an edition of 200. Its bold graphic language reflects Haring’s pioneering blend of street culture, popular imagery, and fine art. The work’s period significance, limited edition, and distinctive visual identity make it an appealing acquisition for discerning collectors.
First issued in 1989 as Plate 4 of Keith Haring’s Pop Shop IV portfolio, this bold screenprint features two barking dogs facing each other against a vivid yellow field. The dog was one of Haring’s defining symbols, often linked to sound, movement, authority, and public expression. Here, six energetic lines between the figures turn a simple bark into a visual exchange—playful, immediate, and unmistakably Haring.
There is no documented street-graffiti version of this exact composition. Its visual DNA, however, comes directly from Haring’s subway drawings and public art practice. The Pop Shop concept extended that accessible language into editions and products, challenging the divide between fine art and popular culture.
For collectors, the work offers strong scarcity and market appeal: the edition was limited to 200, with additional artist’s proofs. A 2026 Sotheby’s result reached $48,640, while a 2024 Heffel sale achieved C$46,250, confirming sustained demand for this plate.
This print is an excellent example of Haring at his most direct. Its barking dogs connect to his wider animal imagery and the Icons series, where the barking dog became a standalone motif. For collectors seeking an instantly recognizable Keith Haring work with strong visual impact and proven market traction, Pop Shop IV (Plate 4) is a compelling acquisition.