3 Pop Shop V
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
From Keith Haring’s celebrated Pop Shop period, 3 Pop Shop V (1989) is a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. The work distills Haring’s iconic visual language into a concise, highly graphic composition, reflecting the era’s dialogue between street art, Pop culture, and fine art. Its limited-edition status and enduring cultural relevance enhance its appeal to discerning collectors.
Created in 1989, 3 Pop Shop V is the third screenprint from Haring’s four-part Pop Shop V portfolio (Littmann p. 149). It emerged from Haring’s downtown New York Pop Shop, opened in 1986 to make art accessible beyond the traditional gallery world. This is not a direct subway-graffiti work; instead, Haring translates the quick, universal language of his street drawings into a collectible edition.
A human figure rides a dolphin through vivid water, surrounded by action lines that suggest movement and sound. The playful scene speaks to freedom, connection, joy, and Haring’s belief that simple symbols could communicate across cultures. Its bold black contours retain the energy of his early subway drawings while showing the polished confidence of his late career.
For collectors, the edition of 200 makes this work limited yet accessible, while recent auction results show strong demand for individual plates. Plate 3 reached $18,735 in 2025, reinforcing its market relevance.
The real strength here is Haring’s economy: a few lines create an entire world of motion. It is a smart choice for collectors seeking an iconic late-period Haring with strong visual impact and cultural importance.
More Keith Haring Works to Explore
3 Pop Shop V
by Keith Haring
Year: 1989
Medium: Silkscreen
Size: 13 × 16 in (33.02 x 40.64 cm)
Edition: 200
From Keith Haring’s celebrated Pop Shop period, 3 Pop Shop V (1989) is a 13 × 16-inch (33.02 × 40.64 cm) silkscreen from an edition of 200. The work distills Haring’s iconic visual language into a concise, highly graphic composition, reflecting the era’s dialogue between street art, Pop culture, and fine art. Its limited-edition status and enduring cultural relevance enhance its appeal to discerning collectors.
Created in 1989, 3 Pop Shop V is the third screenprint from Haring’s four-part Pop Shop V portfolio (Littmann p. 149). It emerged from Haring’s downtown New York Pop Shop, opened in 1986 to make art accessible beyond the traditional gallery world. This is not a direct subway-graffiti work; instead, Haring translates the quick, universal language of his street drawings into a collectible edition.
A human figure rides a dolphin through vivid water, surrounded by action lines that suggest movement and sound. The playful scene speaks to freedom, connection, joy, and Haring’s belief that simple symbols could communicate across cultures. Its bold black contours retain the energy of his early subway drawings while showing the polished confidence of his late career.
For collectors, the edition of 200 makes this work limited yet accessible, while recent auction results show strong demand for individual plates. Plate 3 reached $18,735 in 2025, reinforcing its market relevance.
The real strength here is Haring’s economy: a few lines create an entire world of motion. It is a smart choice for collectors seeking an iconic late-period Haring with strong visual impact and cultural importance.