Campbell’S Soup - Beef
by Andy Warhol
Year: 1968
Medium: Screenprint in colors, on wove paper, with full margins.
Size: 35 × 23 in (88.9 × 58.4 cm)
Edition of 250
A quintessential image of consumer culture, Andy Warhol’s Campbell’s Soup – Beef (1968) is a 35 × 23-inch screenprint in colors on wove paper with full margins. Drawn from his celebrated Campbell’s Soup series, the work elevates an everyday product into an enduring Pop Art icon. Issued from an edition of 250, its bold graphic character and cultural resonance make it an attractive acquisition for discerning collectors.
Campbell’s Soup – Beef by Andy Warhol is rooted in the artist’s breakthrough 1962 Campbell’s Soup paintings, where an everyday supermarket label became a landmark of American Pop Art. The beef variety reflects Warhol’s fascination with mass production, branding, and the visual language of consumer America. By presenting a familiar package as art, he challenged the line between commercial design and fine art.
There is no recognized street-graffiti version. The image depends on Warhol’s controlled, screen-based Pop aesthetic rather than the spontaneity of street art. Its symbolism is direct but powerful: the soup can suggests convenience, repetition, abundance, and the growing influence of advertising on daily life.
For collectors, Campbell’s Soup imagery remains among Warhol’s most recognizable and market-important subjects. Rarity, edition, condition, signature, and provenance can materially affect desirability. In my experience, strong examples remain especially attractive to collectors seeking an accessible entry into blue-chip Pop Art.
Our gallery view is simple: Warhol made the ordinary impossible to overlook. That is the genius of the Campbell’s Soup image.
The work connects directly to Warhol’s early Pop period and relates to his later Brillo, Coca-Cola, and other consumer-product imagery. It remains a compelling acquisition for collectors seeking cultural recognition, investment appeal, and unmistakable Warhol style.
More Andy Warhol Works to Explore
Campbell’S Soup - Beef
by Andy Warhol
Year: 1968
Medium: Screenprint in colors, on wove paper, with full margins.
Size: 35 × 23 in (88.9 × 58.4 cm)
Edition of 250
A quintessential image of consumer culture, Andy Warhol’s Campbell’s Soup – Beef (1968) is a 35 × 23-inch screenprint in colors on wove paper with full margins. Drawn from his celebrated Campbell’s Soup series, the work elevates an everyday product into an enduring Pop Art icon. Issued from an edition of 250, its bold graphic character and cultural resonance make it an attractive acquisition for discerning collectors.
Campbell’s Soup – Beef by Andy Warhol is rooted in the artist’s breakthrough 1962 Campbell’s Soup paintings, where an everyday supermarket label became a landmark of American Pop Art. The beef variety reflects Warhol’s fascination with mass production, branding, and the visual language of consumer America. By presenting a familiar package as art, he challenged the line between commercial design and fine art.
There is no recognized street-graffiti version. The image depends on Warhol’s controlled, screen-based Pop aesthetic rather than the spontaneity of street art. Its symbolism is direct but powerful: the soup can suggests convenience, repetition, abundance, and the growing influence of advertising on daily life.
For collectors, Campbell’s Soup imagery remains among Warhol’s most recognizable and market-important subjects. Rarity, edition, condition, signature, and provenance can materially affect desirability. In my experience, strong examples remain especially attractive to collectors seeking an accessible entry into blue-chip Pop Art.
Our gallery view is simple: Warhol made the ordinary impossible to overlook. That is the genius of the Campbell’s Soup image.
The work connects directly to Warhol’s early Pop period and relates to his later Brillo, Coca-Cola, and other consumer-product imagery. It remains a compelling acquisition for collectors seeking cultural recognition, investment appeal, and unmistakable Warhol style.