Camo Tp Beige
by Andy Warhol
Year: 1987
Medium: Screen print on Lenox Museum Board
Size: 38 x 38 in (96.52 x 96.52 cm)
Edition: 80
Signed
A refined study in pattern, colour, and cultural symbolism, Andy Warhol’s Camo TP Beige (1987) transforms military camouflage into a sophisticated Pop Art composition. Executed as a 38 × 38-inch screenprint on Lenox Museum Board, the signed work comes from an edition of 80. Its restrained palette, scarce edition, and distinctive late-period character enhance its appeal for discerning collectors of Warhol’s graphic oeuvre.
Camo Tp Beige belongs to Andy Warhol’s 1987 Camouflage portfolio, his final print series. The portfolio was inspired by military camouflage, but Warhol transformed a practical pattern into bold Pop Art. There is no street-graffiti version: Warhol worked through screenprinting, photography, and painting, not graffiti. His camouflage turns concealment into visibility, raising ideas of identity, power, conflict, and mass culture.
For collectors, the beige trial proof is especially compelling because trial proofs are scarcer than the regular edition of 80. The Camouflage portfolio remains highly sought after, with individual prints achieving strong auction results and complete sets reaching significant prices.
From our experience advising collectors, the strongest appeal is the contradiction: a pattern designed to hide becomes an unmistakable Warhol.
The work captures Warhol at the end of his career, linking Pop Art’s language of repetition with abstraction and military imagery. It belongs beside the other Camouflage colourways and his late self-portraits, while also extending the visual logic of his earlier Flowers and Cow series.
For collectors seeking a late, important Warhol, this trial proof offers rarity, colour, and a direct connection to the artist’s final creative period.
More Andy Warhol Works to Explore
Camo Tp Beige
by Andy Warhol
Year: 1987
Medium: Screen print on Lenox Museum Board
Size: 38 x 38 in (96.52 x 96.52 cm)
Edition: 80
A refined study in pattern, colour, and cultural symbolism, Andy Warhol’s Camo TP Beige (1987) transforms military camouflage into a sophisticated Pop Art composition. Executed as a 38 × 38-inch screenprint on Lenox Museum Board, the signed work comes from an edition of 80. Its restrained palette, scarce edition, and distinctive late-period character enhance its appeal for discerning collectors of Warhol’s graphic oeuvre.
Camo Tp Beige belongs to Andy Warhol’s 1987 Camouflage portfolio, his final print series. The portfolio was inspired by military camouflage, but Warhol transformed a practical pattern into bold Pop Art. There is no street-graffiti version: Warhol worked through screenprinting, photography, and painting, not graffiti. His camouflage turns concealment into visibility, raising ideas of identity, power, conflict, and mass culture.
For collectors, the beige trial proof is especially compelling because trial proofs are scarcer than the regular edition of 80. The Camouflage portfolio remains highly sought after, with individual prints achieving strong auction results and complete sets reaching significant prices.
From our experience advising collectors, the strongest appeal is the contradiction: a pattern designed to hide becomes an unmistakable Warhol.
The work captures Warhol at the end of his career, linking Pop Art’s language of repetition with abstraction and military imagery. It belongs beside the other Camouflage colourways and his late self-portraits, while also extending the visual logic of his earlier Flowers and Cow series.
For collectors seeking a late, important Warhol, this trial proof offers rarity, colour, and a direct connection to the artist’s final creative period.